Month: September 2019

As I write this, I’m sitting at my outdoor office. This consists of a three-foot travertine slab, resting on a wrought-iron base, with matching chairs. Continue reading “One day in Tuscany”

We pulled into the small parking area at the Porta San Giovanni before ten in the morning. I made a quick beeline up the main street, wasting no time viewing the celebrated frescoes at the Collegiata or climbing the town’s medieval towers, in my haste to reach the opposite Porta San Mateo, where I finally arrived at my destination: San Gimignano’s barbershop. Continue reading “San Gimignano”

We’re spending the day in Certaldo, about fifteen kilometres from the agriturismo where our empty suitcases are stacked.

Continue reading “Certaldo”

Since our arrival in Tuscany, we’ve been hoping to find Etruscan shards underfoot, but the place has been picked clean. No shards to speak of, especially of the highly valued Etruscan variety. But we’re here for another couple of weeks and will continue to look. Continue reading “Volterra”

After twenty-one hours of travel — enough time to jet to Australia — concluding with a harrowing drive on switchbacks with thundering trucks, only dimly registered under the blinding glare of the setting sun, we arrived at Montegemoli.

Like our recent travels in Anacortes, Washington and Hayley, Idaho, Montegemoli is the smallest dot on the map.

Our lovely hostess and her happily leaping dog, Gilda, greeted us and immediately hustled us off to a nearby restaurant — the only restaurant in town — just a five-minute walk away. We hadn’t planned on eating, but were too polite to say so. We were so exhausted that we were looking forward to a quick Spartan meal of a crust of bread and a square of chocolate, before toppling into bed and into the embrace of oblivion.

But we gamely trudged off to Osteria dell’ultimo carbonaio. The place was unassuming, with just a few customers sitting at rough wooden tables and chairs, surrounded by screaming children with plastic swords. We scanned the offerings on the vinyl-covered menu: vegetarians would starve to death. Boer, venison and duck featured prominently in just about every dish.

At a loss, we asked the waiter to recommend a few dishes. Something light, as we were tired and not particularly hungry. The “light” antipasto turned out to be a platter of carpaccio. Our hearts sank. But the carpaccio melted on the tongue. Next, two bowls of homemade pasta: One of sausages and porcini, the other with black truffles and cream. We’ve ordered truffled-up dishes in restaurants back home, and always dismissed them as hype, as it’s almost impossible to taste anything, given the microscopic shavings that, rumour has it, may have been sourced from truffles.

Here, the truffles, likely sliced on a mandolin, were generous, earthy and sharp. A mineral quality so different from anything else we’d tasted, they could have been mined on the moon.

So good it was enough to make you weep.

After a long night’s sleep, Gilda joined us for breakfast on the patio, overlooking the Tuscan hills. The hills are different from those in Idaho: gentler, less abrupt, more cultivated. Geometric fields give the landscape the appearance of a lumpy bed covered with a patchwork quilt. Our hostess brought us figs from her garden, and we drank cup after cup of coffee as the shadows shortened under the rising sun.

(Many years ago, on a deserted beach in Greece, an old man arrives every other morning, bringing us large figs in his straw hat: purple figs, so dark at to be nearly black, bursting with jammy meat. A glass of cold water, three figs on a yellow plate, distant applause from the morning sea.)

The rest of our first day in Tuscany, we spent at Colle di val d’Elsa: a walled city that is nearly invisible in the guidebooks we consulted. Cobbled streets and stone walls and small, tidy museums and palazzi with hanging laundry at their windows. The relative lack of tourists, such ourselves, was a pleasure. But we did see a number of Europeans on some kind of pilgrimage, each of them weighed down with bright nylon backpacks and their private sorrows.

We read a lot about this walled city. Medieval seat of blah-blah, gateway to the duchy of this-and-that, cathedral to Saint-what’s-his-name, celebrated centre of industry. We stepped into a few shops and the tourist office. Famous for its armaments, and its finocchio. Or was it Pinocchio? I forget which; maybe it’s both.

Facts roll out, make a few orbits around the drain, and disappear. Many people collect them — facts, I mean. But I don’t retain a single one, which makes me a terrible travel companion and dinner guest.

Many years ago, at a period when I was cultivating my first moustache, I was persuaded to read a book that has stayed with me ever since. That is to say, the feeling of reading the book lingered long after I was done with it, but not a word did my memory retain, until I picked it up again last week.

Here is a passage:

Now for the Art of catching fish, that is to say, how to make a man that was none to be an Angler by a book; he that undertakes it, shall undertake a harder task than Mr. Hales, a most valiant and excellent fencer, who, in a printed book called A Private School of Defence, undertook to teach that art or science, and was laughed at for his labour. Not but many useful things might be learnt by that book, but he was laughed at because that art was not to be taught by words, but by practice; and so must Angling.

Some of you may recognize the style. The Compleat Angler is by Izaak Walton and it was published in 1653. Everyone should read it, and not just anglers, because the book is so much fun.

It came to mind because we were staying in Hailey, Idaho, which is close to world famous trout streams. Hailey is a ten-minute drive from the town of Ketchum, itself only a longish walk to Sun Valley resort. So close are all these burghs, that they’re generally lumped together as Sun Valley. So, yes, we were in Sun Valley.

But to the fishing. I did not get to fish, but we spent a magical late afternoon at Silver Creek, a place of shallow swift streams, hungry trout and darting mayflies. Ernest Hemingway came here often, as do wealthy anglers from all over the world, for the pleasures of catching and releasing the famous trout.

On another day, we visited the town of Ketchum, whose ersatz village charm rivals the fakery of Mont-Tremblant. Throw a rock in any direction and you’ll break the window of a Gucci store. I’m sure that when Hemingway lived here, it was much less groomed. It probably retained more than a whiff of its mining origins, when mules hauled heavy ore wagons from the mines, to be offloaded onto train cars for refining in Salt Lake City, some three hundred miles away.

It was here, at his home in Ketchum, that Ernest Hemingway blew his brains out with a shotgun. A genetic disease ran in his family and made many of them crazy. Heavy drinking didn’t help, nor did the writer’s nagging paranoia. Hemingway’s father killed himself, as did his brother and sister. Also, more recently, did Margaux Hemingway. Seven suicides in all.

Achilles and the Count

While in Hailey, I took several runs along Wood River Trail, just seven hundred metres from the place we were renting. Built on an old rail line, the paved trail is twenty miles long and runs from the town of Bellevue to just past Ketchum. The railroad engineer must have determined the route by placing a ruler on a map of Sun Valley and running his pencil along the steel edge. It’s that straight.

As you run, the effects of high altitude, the arid desert climate and blistering mid-day heat accumulate. You note the many grasshoppers on the path. You’ve been warned about rattlers. But also about dehydration: the things it can do…

And so you begin talking to the Achilles tendon on your right heel, which you’ve been mollycoddling long enough — for months, in fact! You’ve caused me no end of frustration, you calmly explain, trying to not betray the bitterness in your heart. It’s always three steps forward, two steps back with you, isn’t it? I took you to run in Rockport, Massachusetts and then to Anacortes, Washington — clear across the continent. Now we’re in sun splashed, world-famous Sun Valley and still you persist in…

You see a small park, a father and two small children, a water fountain. You stop, take a drink and throw some water on your face. Nearby is a large plaque that tells the origin story of Sun Valley.

Early in the twentieth century, the grotesquely rich chairman of Union Pacific Railroad, Averell Harriman, was disturbed that so many American millionaires were spending their money in the Alps — money that could be his! And so he deputized Count Felix Schaffgotsch, an Austrian-Bohemian nobleman who knew a thing or two about skiing, to find the ideal spot for America’s first destination ski resort. The count had his instructions: The resort had to be well away from any large city, to ensure that the developer, who conveniently and not incidentally also owned railways — the only dependable way of getting into high country in winter — would be doubly rewarded.

The count visited dozens of places across the United States. None of them seemed exactly right, and so he gave up. But then, just as he was packing for home, a telegram summoned him to Idaho.

Fine, one last look.

The count toured up and down the area until he arrived where the resort now stands. He pronounced Sun Valley perfect. Soon after opening in December, 1936, Sun Valley became famous for its tycoons and Hollywood stars — Marilyn, Humphrey, Lucille, they all came.

You won’t find any ski hills named after the count. Inside the resort, you’ll search in vain for the oak-panelled Schaffgotsch Alcove, or even a Schaffgotsch baba au rhum on the dessert menu. Not a trace of the count survives by way of commemoration. Nor does the plaque mention why.

But later on, you discover the reason. The count — urbane, dashing, a champion talker — was also a fervent Nazi. He served in the Waffen SS with great distinction, and was killed in action in Belarus, in 1942.

As I pick up my pace, my heart lifts, emptied of bitterness. Fresh blacktop as far as the eye can see. The path littered with grey-green grasshoppers. Many of them lie dead, crushed by bikes. The live ones pivot as they sense my approach, prepare their jump.